Monday, April 1, 2024
Hexagons, Grief, and Jazz
Sunday, February 4, 2024
Jazz Cruise Quilt
As you can see, it’s backed in a solid Art Gallery fabric. And I have just started hand quilting this one. I thought about trying to stitch a big trumpet and forever associate this quilt with jazz. While I’m not ruling it out, I’m not sure that will happen.
Sunday, March 26, 2023
The Saddest March Ever…
My brother Doug was 15 years younger than me, and he died March 19. He was diagnosed with stage 4 colon cancer in July 2020. We knew his death would likely happen before the rest of us. Still, the impact of his passing is profound. While sewing rhythm was disrupted with visits, it picked up speed during his final days while my brother and sister, along with Doug’s wife, daughter and friends, tended his bedside. The studio became a guest room. For future reference, I am not very good bedside.
Wednesday, February 1, 2023
A Hexagonal Diversion
And what a difference lighting makes! The first pic is all the parts on the design wall. The second one is the bits all connected. This low volume quilt is 58” x 68”. In the next few days before pin-basting, I’ll decide whether to put an outer border on to make it just a wee bit bigger. Many of these prints I’ve been saving. What for? I think about the short story “Everyday Use” by Alice Walker. And then I’m happy to be using some of these interesting fabrics in a way that pleases my eye. I also have time to decide how I want to quilt this.
But this quilt was a distraction to Sew Powerful purses. I’m continuing to make purse kits for a workshop next week. So, back to it! Hexagons be gone! (Special thanks to Eileen for her loan of her hexagon ruler)
Saturday, October 3, 2020
On Its Way to Oregon
Look how nicely this quilt turned out! Quilty Eileen made a quilt from this pattern years ago - it's a clever way to make hexies without using Y seams. I had a Layer Cake of the Moda Thrive fabrics and think it creates a pretty palette. I didn't have quite enough but was able to fill with with fabrics from my stash. As I made this quilt top, I loved it. But then I fell out of love. You know, one of those "Somebody's gonna love this quilt - it just won't be me."
Because I no longer loved the quilt top, I wasn't going to bat it with wool. I used the Warm and Natural batting, perfectly fine - its just heavy. I even tried to hand quilt it - after one vertical zig zag row I knew that was wrong. So then I tried to machine-quilt the zig zag lines. Again, wrong. So I just put it away.
Fellow guild mate Susan Elster-Jones knows people in Oregon who lost everything in the September fires and put out a call for quilts. And I volunteered this one. Just simple straight-line quilting. And check out the backing - I love it.
That Susan is collecting and shipping quilts is so fabulous. I'm happy that this quilt will find an appreciative home. Between finishing this quilt and shipping off 32 purses to Sew Powerful, I feel like I've removed two monkeys from my back. On to a few more masks and then ? - see the previous post!Sunday, December 1, 2019
Looking Around the Studio
I came across this quilt top I started last spring. Quilty Eileen used this pattern and shared her ruler with me. It was perfect for the cake layer of fabrics I had. The gentle taupe, teal, grey, and whites appealed to me. So did this unique way of working with hexagons. It's all pin-basted and I'm doing my own machine-quilting on this. The batting is Warm and Natural, and this quilt is heavy. I can only work on it in small stretches. But I like how it's turning out and am mostly glad it will be finished soon.
Here's the same family of fabrics used in a different way. Ever since I discovered hand-quilting, I look for things I can work on in the summer. Holding a quilt to work on in the winter is heaven, especially in this house. But in the summer not so much. Here's a link to my blog post from last January when these blocks were in process. Now? Each one is quilted and needs to be joined to the others. Currently it's in three rows. This will be 85" x 85". One of my favorite things about this quilt and the reversible process is the back. Each block is backed with a different Art Gallery fabric and batted with wool. Now, what to do with these two quilts? TBD...























